Trione Wedding

Trione Wedding – Sonoma, CA – Jill & Jason

Jill & Jason were married at Trione Vineyards and Winery in Sonoma County, CA on a lovely day with diffuse light everywhere. The light gave the Vineyards a majestic moody look out behind the Winery, and they made for an incredible backdrop for our portraits. 


I loved the rustic stone walls, the vaulted ceilings, and dark wooden beams in the event space at Trione. They lent an old world feel to the wedding ceremony and to evening reception as well.


Jason is a collector of film cameras and a talented street photographer. During the ceremony they had their officiant and friend make a photograph of all of their guests on a film camera. They intend to slowly take photos over the next ten years on momentous occasions, and only after a decade has passed, will they get the roll of film developed.


And… much will happen in those ten years, as Jill & Jason are world travelers. One of the cornerstones of their relationship is their love of travel, so they brought a bucket to the reception, and guests were encouraged to leave them suggestions for their “Bucket List.” 


As you can see, Jill & Jason invited me to bring my Hasselblad to Trione to make a few wedding portraits. It gave me great pleasure to put a few rolls of film through my old trusty friend.

Special thanks to Lisa Bravo of Bravo Events and Weddings who made everything flow smoothly throughout the day.

Wedding planner : Lisa Bravo
Hair : Amy Braem
Makeup : Nicolette Lafranchi
DJ : NorCal Pro Sound
Catering : Girl and Fig


How much does wedding photography cost in the San Francisco Bay Area?

Here are some of the things that helped me to think through hiring my own wedding photographer…

Wedding photography is a luxury, but so is almost everything about a wedding. The weird thing about the photography is that it lasts longer than the dress, steak, wine, cake, music, etc. etc. Eventually, what the photographer saw can overtake other memories. So weird! Anyway. It is important! 

One way to think about it is that you are commissioning an artist to make a body of work about you, your love, your family, and your friends. For many people this is one of the only times in their lives they will commission an artist to make work for them.

Wedding photography cost varies by market. I might have expensive taste, but one woman I talked to quoted me 10k for her bare bones package. WTF?! That is over the top. Up to 6k seems within reason in more expensive cities. Anything under 3k, you are working with someone who is either, in a market with very very cheap living expenses, is an unrealistic business person, is a bad photographer, is just starting out, or some combination of these things. 

Important questions to consider when hiring a photographer:

Do we trust this person? Is this person actually the photographer who will come on our wedding day? Are they easy to be around? Will they take their commitment to the work seriously? Will they understand what is important to us about our wedding, or do they have their own ideas that they will try to impose? Will this person get along with our guests? What final product are we getting? Do we get all of the high resolution files or do we have to pay for each and every print? Do we want to order prints ourselves? Do we want a professionally produced album? Would we ever get around to making an album ourselves?  

What sort of style does this photographer have? Will they capture us in natural joyful expressions? Are they too focused on making an interesting picture? Are they creative enough with their compositions? Do they take too many pictures of the cake, dress, jewelry, centerpieces? (There is a whole genre that is beholden to blogs like Style Me Pretty. This genre includes a strange amount of product photography along with the traditional coverage.)

So, there’s my two cents.

Also, my cheeky article on why you don’t need a wedding photographer: https://hazelphoto.com/why-you-dont-need-wedding-photographer/


Berkeley City Club Wedding

Berkeley City Club Wedding – Jenni & Andy

Jenni & Andy were married on a sunny day in late December at the Berkeley City Club, a hidden gem of a wedding venue, right next to the Cal campus. Genius architect, Julia Morgan, was at her finest when she designed this “castle in the city.”

As the sun was setting, wedding guests gathered on a generous balcony. The chuppah holders processed. Jenni and Andy’s puppy was led down the aisle by Jenni’s niece. A pair of friends/co-officiants effortlessly wove diverse rituals into the ceremony. Highlights included: the signing of a gorgeous, colorful ketubah depicting, among other things, the Golden Gate Bridge, and their frolicking puppy; a musical performance with Andy on trombone, a friend on sax, and Jenni, with a chorus of friends, on vocals. They smashed a glass, smooched, and headed into the library for cocktail hour, where a full jazz band serenaded guests.

The vision for the wedding reception was crystal clear: “dinner & a show,” oh, and a hora, of course. (Important life rule, never pass up a chance to dance the hora.) Andy’s parents kicked off the show portion of the evening with a riotous slideshow romp through Jenni & Andy’s childhoods. There were traditional toasts, a family band, experimental music, pop covers, a jazz set with Andy and band. Such a lovely full evening!


“Documentary wedding photography” 7 reasons why this is what you really want.

Bride and Groom drinking champagne at night and laughing at a wedding in napa california
  1. You care deeply what it actually felt like to be at your wedding, and so you want wedding photos that convey that feeling. The goal in “documentary wedding photography” is to make images that make you feel what it was like to be at your wedding years after the fact.
Bridesmaids popping champagne in black and white documentary wedding photographer

2. You want a photo of your best friend doing the worm, of your mom teasing her sister, of your dad hugging you with tears in his eyes, of your niece with that look like she’s plotting world takeover. These are the moments a documentary wedding photographer is attuned to, and immortalizes.

Documentary Wedding Photography San Francisco of people dancing outside at night

3. You want a photographer who has a keen eye for the meaningful gestures, expressions, and details that tell the larger story. A documentary wedding photographer spends years honing the ability to see the unexpected, to frame things just right, so the viewer is compelled by the photograph, and understands the scene.

4. You don’t want your photographer to tell you to have a second first look. One is overwhelmingly wonderful. Also, hold on a sec, how in the world can you have a second first look? This speaks to the authentic manner in which documentary wedding photographers work.

Groom kissing his dad's cheek at a Chinese Wedding in Silicon Valley Documentary Wedding Photography

5. You want pictures that make you feel seen. A documentary wedding photographer can make photographs that compliment the principles that guided you when you were planning your wedding. (whether you sat down and wrote out official guidelines with your fiancé, or you just have a general sense of what you were about during the planning.) Unfortunately some wedding photography doesn’t see you for who you are, and ends up being more a photographer’s idea of what a “romantic wedding” should look like.

Indian Wedding Documentary image of recessional with flower petals in the air

6. You don’t want a photography company that takes over with multiple cameras, and blocks your guests’ view, and makes it feel like a photoshoot, not like an authentic event. In “documentary wedding photography” the goal is to let the wedding be exactly what it is, rather than to step in and change it.

Couple Just married walking towards Muir Beach Overlook

7. You like the color of your dress and the florals you chose, and you want them to be true to life in the pictures. The style of a documentary wedding photographer can be carried into processing images after the wedding day with the goal of reproducing beautiful faithful color. Some wedding photography is significantly altered in post-processing, whether that be desaturation, color grading, or excessive retouching. 


Moments that matter – a year in weddings

Here we have a year of weddings as seen through “moments.” 


2018 brought a lovely diversity of venues throughout the Bay Area and beyond, including the Sierra Mountains, Big-Sur, The Boston T and the Boston Public Library, Art Museums, Tiny Chapels and Massive Urban High Schools, Small High Schools and Redwood Theaters, a Mansion that once belonged to a general


I feel overwhelming gratefulness for all the joy and ritual that I experienced through a camera lens this past year.


But why “moments”? Because they draw us in through their storytelling power. They make us feel what exists on either side of them. They don’t just show a gorgeous dress. They show a woman in a gorgeous dress flushed with joy as she dances with her father. Her gesture shows the freedom and the fun she has shared with him. They don’t just show a marriage license sitting upon a table. They show a group hug between a bride, a groom, her sister, his brother, and the closest of friends, the marriage license gripped between the groom’s fingers.


A photograph is time frozen. Sure, etymologically speaking, it is a light-drawing…but maybe we should have called it a nontempograph… because it’s conceptual implications are: it takes something that exists in the spatiotemporal world, and strips it of time, leaving it to a solely spatial existence. It is of time and yet out of time.  A spatial representation of time at a standstill.


And in it’s spatial existence, it can only hint at temporality. It is those photographs that gesture grandly toward temporality that move me most.

Here’s to a 2019 of making wedding photographs that gesture grandly toward temporality.


Marin Headlands Engagement Photos

Marin Headlands Engagement Photos – Cat & Ross

Cat & Ross met me in the Marin Headlands for their engagement session on a sunny and windy day. We began in the area close to the fabulous Headlands Center For the Arts (if you’ve never been, it is an absolute gem of an artists’ residency and gallery space tucked into the Marin Headlands.) The sun was still a bit high in the sky when we began, so we primarily stuck to the shade. This worked out well, as we were able to make some photos sheltered from the wind before we gave in to the messy magic. But, that is what the Marin Headlands are all about, spectacular windy messy magic. The hills are often windy, and always gorgeous. Tucked away behind the Headlands Center for the Arts we found a field with a row of towering cypress trees, and a eucalyptus grove full of deer hidden away munching an afternoon snack. See if you can spot her. As the sun grew lower, we took off for Point Bonita Lighthouse, but when we saw the Golden Gate Bridge and the beauty of the San Francisco Bay below, we had to pull over to make a few more photographs. The Point Bonita Lighthouse is only open on Sundays and Mondays 3 hours at a time, but the approach is stunning as well. As the sun set further, we enjoyed a few last moments watching the golden hour curl into the blue hour with the San Francisco Bay and the Golden Gate Bridge beyond.


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