2024 Weddings Year-In-Review

2024 was an excellent year for my family and my tiny business.

I started the wedding season early at the end of January with a wedding in the redwoods in Marin .

Then my wife and I traveled to New Orleans for Mardi Gras (with the kids!)

When we returned in mid-February, I photographed a wedding at San Francisco City Hall with a reception at a secret club with a secret green room hidden behind a bookcase/door that automatically swung open when you waved your hand above the bald head of a brass bust of Winston Churchill…

The rest of the play-by-play from all 12 months of exploring family dynamics, forests, and gorgeous architecture, follows after the photos. (with shoutouts to co-conspirators)

I don’t get much time to reflect when the wedding season is in full swing… but by the time January rolls around, I can come up for air and think back on the year.

In retrospect, I find it striking that I took a vacation from photographing weddings, to go to Mardi Gras in New Orleans, and party for a week straight. (Which is, of course, a completely different animal with a four-year-old and one-year-old in tow.)

One of the reasons I became a wedding photographer is because I love parties! I met my wife, Addie, at a pair of parties in the span of a week. By the end of the 2nd party I had fallen in love. While I was swimming laps the other day I had a wonderful thought whilst underwater, “What if I had met Addie at a wedding? I’m certain it would have only taken that one big party for me to fall in love.”

And now for a few of my favorite photos from 2024:

Late in February, I headed down to Big Sur for a gorgeous, intimate wedding, with the majestic blue of the Pacific for a backdrop.

In March we headed down to LA to visit with old friends. We learned how obsessed the four-year-old is with Easter egg hunts. Then we learned why Venice Beach is called Venice, as we explored the canals.

April was packed. I began by exploring the lovely Falkirk Cultural Center in San Rafael, a mansion on a hilltop with an exquisite wall of stained glass running up the grand staircase. This wedding was on the intimate side. Beth of Sassy Diva Designs & Events crafted florals and kept things running smoothly.

Weddings brought me back to a pair of venues I had explored previously: Gallery 308, in the City, with its glorious wall of French windows looking out on the Marina, and the sea lions lazing in the sun. Aimée of Weddings by Aimée worked her magic. Next I traveled to Stanly Ranch up in Napa for a black tie affair with a traditional Chinese tea ceremony and one of the best wedding bands I have ever experienced. Catherine of “Big Day Of” knows Stanly Ranch like the back of her hand, and was a pleasure to work with.

My May began with an intimate wedding at the Moon Viewing Garden in the San Francisco Botanical Gardens, and continued with an engagement session in Golden Gate Park.

In mid-May I completed an experimental project I had been bandying about in my head for a while. I met an engaged couple at a diner in Berkeley at 7:00am where we began our engagement session with coffee and breakfast, and then… we made photographs, with only short breaks, for a full 24 hours. We finished the session at 7:00am with coffee and breakfast the following day. Olivia & Stu are legends for enduring all 24 hours with me.

At the end of month, I headed down to the Peninsula to photograph a wedding at Valley Presbyterian with a stunning floor-to-ceiling A-frame window that looked out on a redwood grove.

I started June with a double-header: First a return to Healdsburg for a wedding at the delightfully quirky/delicious/romantic Barndiva designed by the uber talented Carrie, of Boheme Events, followed by a raucous Jewish wedding in West Berkeley which was full of familiar faces from weddings past.

In mid-June I photographed a pair of engagement sessions: one at the Palace of Fine Arts at sunrise (we had the place to ourselves,) and one at Sutro Baths at sunset. I closed out June with a wedding at Radonich Ranch in the Santa Cruz mountains. The wedding was billed as an Italian Garden Party, and sent me on a kick listening to Dean Martin, Tony Bennett, Buddy Greco, et al.

July brought me to Muir Beach for an engagement session, out to Walnut Creek for a wedding at The Gardens at Heather Farms, down to The Santa Cruz Mountains for an engagement session, back to San Francisco City Hall for an elopement, back to Sutro Baths for an engagement session (but foggy and moody this time,) to Oakland for an absolutely classic Bar/Redwoods engagement session, and back to San Francisco City Hall & Coqueta for a wedding.

We spent the first half of August visiting with grandparents on the Jersey Shore and eating ice cream every night, followed by a visit with dear old friends in Montreal.

When we returned to California, I headed up to the Haven at Tomales for a-bash-of-a-wedding expertly planned by Nicole Taylor Events and headlined by the inimitable La Doña.

September came fast and furious. I was reunited with Olivia & Stu, of 24-hour engagement session fame, at the Lodge at the Marconi Center, a brand new venue on the hill looking out over Tomales Bay.

Next I returned to Falkirk Cultural Center for an intimate wedding followed by a reception at the Academy SF.

Then out to American Canyon for an engagement session amongst golden grasses, which always remind me of the film, Days of Heaven.

Then I drove farther east to Park Winters, a wedding venue tucked away on a back road near Davis. The wedding at Park Winters was perfectly planned by Taylor Rae with many elements designed by Skye Foster, the bride. I was particularly taken by the Christmas crackers that popped open to reveal multi-color paper crowns.

And then back to the City for a return to the Presidio for a wedding with a ceremony at the brand new Tunnel Tops park followed by a reception at the Presidio officers club.

I closed out September with a return to West Marin for a wedding on a family property on a hillside, followed by dinner at Saltwater Oyster Depot. The couple met in radio, and crafted podcast-style vows that they broadcast for guests during the ceremony. I did cry right into my camera’s viewfinder while I continued to make photographs through the ceremony.

October began with ice cream cones in Cole Valley, followed by a mad dash to Ocean Beach for a delirious golden sunset engagement session.

In mid-October I photographed a daytime wedding steeped in family history. At the end of the day I brought the couple up to Tank Hill to take in the setting sun.

In late October I photographed a backyard wedding ceremony and tea ceremony in North Berkeley followed by an al fresco paella feast on long banquet tables in West Berkeley.

My wedding season wrapped up in early November, first with a visit to San Francisco City Hall, followed by an exceptionally intimate full wedding day at Beltane Ranch, a venue in the Sonoma Valley that has become an old friend over the years. Samar of Blissful Events orchestrated a particularly seamless and beautiful day.

My final wedding of the year was at the James Leary Flood Mansion, up on the top of Pacific Heights with stunning views of the San Francisco Bay and the Golden Gate Bridge. The mansion is now used as a school. I loved how a wedding fit into the building, with a wedding dress hanging from bookshelves in the school library and a hopscotch board underfoot at cocktail hour. Sachi & Maja designed wonderful full tablecapes, and were instrumental in making the day come together.

November & December were taken up with a mountain of editing, and plenty of time with the kids: throwing fall leaves, stomping in puddles, and riding the steam train in Tilden Park. We taught the four-year-old to read and to ride a pedal bike. The 1-year-old was both soft and bossy, so we squeezed him up and listened attentively to his orders.

Each Christmas my family prepares a feast of seven fishes. In 2024, we made ceviche, tacos, and caldo de pescado including: red shrimp, tilapia, mahi mahi, rock cod, black cod, clams, and mussels. 

What will 2025 hold? We shall see! More travels, more kiddo milestones, more explorations of new venues, many returns to familiar friends. Hopefully some new unexpected collaborations that push at the edges of wedding work, and burst into the realm of art… Thanks for sticking with me, if you made it this far.

Some of the collaborators and venues:
Falkirk Cultural Center / Sassy Diva Designs & Events / Gallery 308 / Weddings by Aimée / Stanly Ranch / Big Day Of / Moon Viewing Garden / Valley Presbyterian / Barndiva / Boheme Events / Palace of Fine Arts / Radonich Ranch / The Gardens at Heather Farms / San Francisco City Hall / Coqueta / Haven at Tomales / Nicole Taylor Events / La Doña / Lodge at the Marconi / Academy SF / Park Winters / Taylor Rae Weddings / James Leary Flood Mansion / Sachi & Maja


2022 Hazel Photo Weddings Year in Review

I’m going to “kick” this off by saying that 2022 kicked my butt. There was a metric ton of pent-up demand for live events this past year.

In 2022 I photographed:

37 weddings,

3 elopements,

A baby naming,

3 multi-day corporate conferences,

5 corporate parties,

3 family sessions,

6 engagement sessions,

and 150 headshots.

I’m incredibly grateful to every last client I worked with, and every person who referred me to clients. To be busy again after the pandemic, has made me feel alive and useful. This was the best year my business has seen to date. It was also the queerest year of weddings I have photographed!

Most of my photo work transpired in the greater San Francisco Bay Area… from Oakland to Orinda to Walnut Creek, from Napa to Calistoga to Mendocino from Sonoma to Healdsburg, from Gilroy to Santa Cruz to Half Moon Bay, from The Financial District to Civic Center to the Presidio, from San Rafael to Mill Valley to Bodega Bay.

I did have the chance to travel to Lake Tahoe, Mendocino, San Diego, Las Vegas, and Jamaica to make photographs for clients as well.

I haven’t had time to share very much of the work I made this year, because I was so busy making it. In this coming January and February I am looking forward to reliving 2022 and updating my portfolio with some of the beauty I witnessed this past year.

A few wedding clients this year told me, “We don’t want any posed portraits. Just ‘documentary style’ photos of our wedding day.” I loved those opportunities to turn my entire focus to storytelling images. I felt seen, like my clients understood what I was up to, and wanted me to lean into that strength on their wedding day.

On the home front, our 2-year-old started preschool and brought us on vacation to Japan and Mexico. We bought an old house in Berkeley and have begun to fill it with art, and surround it with gardens.

Venues :
Carneros Resort
Stanly Ranch
San Francisco City Hall
University Club of San Francisco
Triple S Ranch
Ralston White Retreat
Sausalito Women’s Club
Jamaica Inn
City Club of San Francisco
Shakespeare Garden @ Golden Gate Park
Golden Gate Club @ The Presidio
Log Cabin @ The Presidio
Beltane Ranch
Hacienda de las Flores
Cornerstone Sonoma
Oceano Resort
The Brazilian Room
The Legion of Honor
Leo’s Oysters
Zaytuna College
Rockefeller Lodge
Grace Cathedral
Ruth Bancroft Garden
The Gardens at Heather Farm
The Secret Gardens, Bodega Bay
Seven Branches Sonoma
Bell Valley Retreat
Eagle Ridge
Gar Woods
Thomas Fogarty Winery
Muir Beach Overlook
Pizzaiolo
Wayfare Tavern
Terra Gallery

Planners:
Boheme Events
Taylor Rae Weddings
Downey Street Weddings
Sachi & Maja
Emily Coyne Events
Limelight Productions
Showrunner Events
Riley Loves Lulu
Sabrina & Co.
Small Shindigs
Dreams on a Dime
MK Event Planning
2 Friends Events


Palace of Fine Arts Wedding – Jessica & David

Jessica & David Part 2 Palace of Fine Arts Wedding.

This was one of the most intimate weddings I photographed during the pandemic. There were five guests in total. We assembled under a glorious willow tree at the Palace of Fine Arts, and one of Jessica’s friends officiated. Just as the two had hoped the sun weaved in and out from behind the clouds. After a few wedding portraits at the Palace of Fine Arts, we headed over to Golden Gate Park for a few more couples portraits and a bit of revelry. We ended in the Shakespeare Garden where Jessica and David read love letters they had written to each other. I certainly not what they had set out planning all the way back in 2019, but they excelled in finding a way to make their wedding day magical, romantic, and full of good humor throughout.

Click here for part 1 getting ready and portraits at Cavallo Point.


Julia Morgan Ballroom Wedding

Julia Morgan Ballroom wedding – Steff & Quito

(This is part 2 of 2. To begin at the beginning head here for the wedding ceremony at St. Ignatius cathedral.)

Steff & Quito’s wedding reception was held at the Julia Morgan Ballroom. The dinner & toasts portion of the evening was upstairs, in the ballroom itself. Dancing followed downstairs in the Merchants Exchange Club (a kind of basement speakeasy).

We began the reception with portraits of Steff & Quito and their wedding party in the grand lobby of the Merchants Exchange Building and the balcony that looks out over the lobby. The lobby is a lofted winter garden of sorts, with gorgeous arched skylights and illuminated busts of early San Francisco luminaries looming down from the walls. Steff & Quito were a combination of complete class and utter goofball. I see both qualities in most of the photos.

The cocktail hour was hosted in the elegant bar adjacent to the Julia Morgan Ballroom. Steff & Quito’s epic engagement photos were on display. Obviously, they were also themed: Dragon Ball Z (see the “Paperman” theme described in Part One). The two made self-portraits with Dragon Balls in The Philippines, Korea, Japan, Hawaii, Death Valley, and in the very elevator on the USF Campus where they first met.

The Paperman theme also continued at the Julia Morgan Ballroom. There were paper airplanes tucked everywhere, including in the florals on the mantles and on each dinner plate.

That night, the moon was so bright that its light joined the lights of the city through the windows of the Julia Morgan Ballroom. There’s a portrait of Steff and Quito with the moon above, making a cameo.

The father of the bride and the father of the groom worked the ballroom together, distributing cigars to wedding guests. Meanwhile, downstairs at the Merchants’ Exchange Club, “Paperman” was playing on a big screen, cocktails were being shaken, carnival masks imported from Manila were being distributed, and the DJ was beginning to lay down tracks. Of course Steff, the costume designer, was going to have an outfit change before it was time to dance. Instead of a traditional bouquet toss, Steff launched a paper airplane with a bright red kiss mark, as in the short film.

Then there was a money dance with currencies from around the world, and an impromptu conga line formed.

To see photos from the wedding ceremony at St. Ignatius click here.

Ceremony Venue : St. Ignatius Parish, San Francisco
Reception Venue : Julia Morgan Ballroom
Photographer : Hazel Photo
Florist : Wish Social Events
Bride’s dress : Steff Von Schweetz
DJ : Quan Zou Blue Edge Pro
Cake : Cafe Madeleine
Catering : Julia Morgan Ballroom
Band : Joyous Lee


“Documentary wedding photography” 7 reasons why this is what you really want.

Bride and Groom drinking champagne at night and laughing at a wedding in napa california
  1. You care deeply what it actually felt like to be at your wedding, and so you want wedding photos that convey that feeling. The goal in “documentary wedding photography” is to make images that make you feel what it was like to be at your wedding years after the fact.
Bridesmaids popping champagne in black and white documentary wedding photographer

2. You want a photo of your best friend doing the worm, of your mom teasing her sister, of your dad hugging you with tears in his eyes, of your niece with that look like she’s plotting world takeover. These are the moments a documentary wedding photographer is attuned to, and immortalizes.

Documentary Wedding Photography San Francisco of people dancing outside at night

3. You want a photographer who has a keen eye for the meaningful gestures, expressions, and details that tell the larger story. A documentary wedding photographer spends years honing the ability to see the unexpected, to frame things just right, so the viewer is compelled by the photograph, and understands the scene.

4. You don’t want your photographer to tell you to have a second first look. One is overwhelmingly wonderful. Also, hold on a sec, how in the world can you have a second first look? This speaks to the authentic manner in which documentary wedding photographers work.

Groom kissing his dad's cheek at a Chinese Wedding in Silicon Valley Documentary Wedding Photography

5. You want pictures that make you feel seen. A documentary wedding photographer can make photographs that compliment the principles that guided you when you were planning your wedding. (whether you sat down and wrote out official guidelines with your fiancé, or you just have a general sense of what you were about during the planning.) Unfortunately some wedding photography doesn’t see you for who you are, and ends up being more a photographer’s idea of what a “romantic wedding” should look like.

Indian Wedding Documentary image of recessional with flower petals in the air

6. You don’t want a photography company that takes over with multiple cameras, and blocks your guests’ view, and makes it feel like a photoshoot, not like an authentic event. In “documentary wedding photography” the goal is to let the wedding be exactly what it is, rather than to step in and change it.

Couple Just married walking towards Muir Beach Overlook

7. You like the color of your dress and the florals you chose, and you want them to be true to life in the pictures. The style of a documentary wedding photographer can be carried into processing images after the wedding day with the goal of reproducing beautiful faithful color. Some wedding photography is significantly altered in post-processing, whether that be desaturation, color grading, or excessive retouching. 


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